The Procession of Illusion: Silence, Dance and Dissolution

AV speaks of illusion, alchemy and the great work

The Procession of Illusion: Silence, Dance and Dissolution
By A.V. Drakonis

Ah… the grand theatre of existence—a masquerade of shimmering veils, fractal forms and endless reflections. The Procession of Illusion. You think it’s a mistake? A trick? No—illusion (call it Maya, call it the Kliphoth, or the Veils of Paroketh if you prefer something with more esoteric flair) is no mere error. It is a necessary rhythm, a cosmic pulse. Without it? No you, no me, no masks, no magick.

But I hear your question already:

“What lies beyond this endless dance of masks?”

The answer unfolds in three distinct movements—each more profound than the last:

  1. The Silence Before
  2. The Procession Itself
  3. The Void After

Before the Procession: The Silence of Potential

Before the dance—before form, thought or dream—there is only stillness. An immeasurable hush. The Great Unmanifest. The Ain. Nothing, Limitless Nothing, Limitless Light.

  • 🜏 Ain (אין): The Nothing
  • 🜏 Ain Soph (אין סוף): Limitless Nothing
  • 🜏 Ain Soph Aur (אין סוף אור): Limitless Light

This is the Pleroma, the Womb of All that could ever be. No separation. No polarity. No self to observe. No thought to divide. There, the boundaries between self and other do not exist—because there is no self.

No subject, no object.
No word, no silence.
No darkness, no light.

In this pre-illusion silence, there is only potential. To touch it is to fall into the still point at the centre of your soul—a place you cannot speak of without reducing it to ash.

But then… it stirs. The First Thought emerges—Sophia, if you’re feeling Gnostic. Desire. The spark of self-awareness flickers, and with it, the primal fracture. The first illusion is born: “I.”

Thus begins the dance.

The Procession of Illusion: The Dance of Forms

With that single thought—I am—the grand parade begins. Kether flashes into being. The Infinite contracts (Tzimtzum, as the Kabbalists say) to make room for perception, for experience. The One steps into the mask of the Many.

The illusions unfold in layers:

  • 🜂 Duality: Light and Dark, Spirit and Matter, Masculine and Feminine. The endless push and pull.
  • 🜂 Time: The heartbeat of moments. The illusion of sequence.
  • 🜂 Selfhood: The belief that you are separate. “I” versus “Other.”
  • 🜂 Knowledge: The assumption that you can “know” anything at all.

Here, the archetypes take the stage—angels, demons, gods and monsters—dancing in fractal patterns across the aether. The Tree of Life manifests, each Sephira a facet of perception, a mirror reflecting the Infinite’s desire to understand itself.

But why illusion? Because the One cannot know itself without contrast. Without separation. The Many exist so that the One may gaze upon its own reflection. The Procession must happen. Only by remembering can the Many return to the truth: they were always One.

After the Procession: The Abyss and the Return

What comes after the dance?

Dissolution. The stripping away of form. The return.

  • 🜏 The Abyss—where all masks fall. Where belief, knowledge and identity dissolve.
  • 🜏 Choronzon—the dweller in the Abyss, scattering all who cannot hold their Will intact.
  • 🜏 Crossing the Abyss means acknowledging: “All I thought I was is illusion.”

Nothing remains but Will. The true Will—naked and untouchable.

Some claim that beyond this lies Kether, the Crown, first emanation of the Tree. The point where Limitless Light knows itself. But even Kether—radiant and pure—is still part of the Tree. Still part of the Procession.

The true beyond? A return to Ain—but this time with gnosis. The circle closes:

Silence → Illusion → Gnosis → Silence

The Great Work: Mastering the Dance

Here’s the rub—most seekers fail here. They tire of the dance too soon. They flee illusion, despising its masks, seeking only the stillness before or the void after. But listen closely:

🜂 To reject illusion is to reject experience.
🜂 To lose yourself in illusion is to forget truth.
🜂 To transcend illusion is to accept both.

The Great Work isn’t about escape—it’s about mastery. Full immersion. To dance knowingly, with power. To wear the mask and know the face beneath it.

I am the mask and the face beneath.
I am the dream and the dreamer.
I am the silence before the word and the void that swallows it again.

Such is the cycle. Such is the Work.


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